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Saturday, October 17, 2026
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Ballet Star Matthew Ball on Grueling Parts and Online Attention: 'I Don't Feel Precious About My Body'

In the quiet atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's carriage is naturally upright, his arms defined beneath a simple white T-shirt. During performances, dancers can seem like mighty deities, yet frequently offstage they are petite. Not so Ball, whose tall stature is part of his popularity for princely roles and partnering. Possessing fine traits and piercing eyes, there's a hint of a brooding actor about him.

A Seamless Ascent to the Top

Now 31, Ball is enjoying the crest of a career that has advanced smoothly. Growing up in Liverpool, he faced little ridicule for his childhood passion in ballet. Entering the esteemed training institution at 11, he graduated directly into the company and was promoted annually, attaining the highest position of principal in 2018. He has loved tackling substantial characters, particularly the emotional angst found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

His upcoming featured appearance is in a talk, in an "In Conversation" series designed to offer intimate insights into a dancer's art. He will walk the crowd through a part, demonstrating his mental workflow during execution. Yet in lighter works, the test is profound. "Don Quixote is one of the toughest from a skill perspective," he notes.

The Mental Game and Post-Performance Emotions

What about following a show, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to extract all the emotion out of it, and get lost in the role, frequently I do feel self-conscious later. After an intense role I'm always thinking: Wow, what must people think?"

In person, Ball is thoughtful, mild-mannered, and quick to laugh at himself. But a dance maker previously remarked on a "sense of suffering in him." Does this exist? "I am very active usually, but I do have a melancholy streak," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for positive change."

Early Drivers and Artistic Inspirations

His determination stemmed from youthful experiences. Not excelling in competitions at school made him "vengeful!" It was motivation to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

An upcoming challenge is making his own dance works. For Ball, "there's nothing wrong with." "Challenging the rules is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from books, compositions, and painting.

Intimate Dance and Personal Dynamic

He also is interested in staging dance in more intimate spaces. "It was just really thrilling," he says of a previous show. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has created duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." The couple aren’t typically matched on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s favorite supporter."

On Social Media and Bodily Image

On Instagram, fans can see clips from his dance films and photos that highlight a sculpted form. Does he mind that the engagement can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He relates it to seeing Michelangelo’s David—something that can be seen on various ways.

Ball describes his younger self as "eager for success." Did it met his hopes? "I feel very aware of how reality is a separate reality to the aspirations you made as a child," he reflects. He likely has about decade of performing left. "I guess in the time to come, I want to be a bit more kind with myself."

The writer

Heather Montgomery

Elena Voss is a freelance writer passionate about urbanism and cultural exploration, with a background in sociology.

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